Showing posts with label nikon. Show all posts
Showing posts with label nikon. Show all posts

Minimalist Lighting: Professional Techniques for Location Photography Review

Minimalist Lighting: Professional Techniques for Location Photography
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I've been using the minimalist style of lighting, in one form or another, since the late 1980s, and I learned much of what I know through the painful process of trial-and-error. Austin, Texas-based photographer Kirk Tuck has taken all that basic knowledge and wrapped it up into a neat 128-page introductory handbook.
Minimalist Lighting covers both the "why" and "how" of location photographic lighting using small strobes off-camera. The first half of the book takes you through the basic gear choices you'll need to make and the fundamental techniques of off-camera small-strobe lighting. In the second part of the book, Kirk takes apart 14 of his own shoots, showing how he approached lighting them, the decisions he made, and the final results.
If you're already comfortable using small strobes off-camera, the first half of the book will be largely review material, and you'll likely skim over to the case studies, from which I gleaned several techniques I'm already putting to good use. If you're a newcomer to the world of minimalist lighting, you'll probably read the whole thing several times, learning new things on each pass through.
Either way, if you want to learn to light better with less cost, less money and less weight, this book definitely belongs on your bookshelf.

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Packed with incredible images and step-by-step techniques, this book is a must have for commercial, wedding, and portrait photographers working on location who want to maximize their time behind the camera and minimize their time spent hauling cumbersome lighting equipment. The tips show how to select easily portable and versatile equipment for location shoots, cutting down on the packing and porting of expensive equipment. With techniques and information on the latest technology-including battery-powered flashes and accessories-this reference shows photographers how to work with smaller and lighter-weight lighting equipment without sacrificing quality. Whether shooting portraits, landscapes, or interiors, whether indoors or out, photographers will embrace the portable approach offered in this valuable resource.

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Speedlights & Speedlites: Creative Flash Photography at the Speed of Light Review

Speedlights and Speedlites: Creative Flash Photography at the Speed of Light
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I read the book twice; gleaning little nuggets here and there.
The book highlights standard lighting techniques (which could be used with any type of artificial lighting)using speedlights. GREAT! What are my problems then, you might be wondering.
One "problem" with the book is that the author,chapter after chapter, continually attempts to "sell" the reader on the idea that using speedlights is a "great way" of shooting with flash. "YA, I KNOW THAT, that's why I bought the book in the first place" is what I was grumbling into the air as I continued read on to the end. His propensity to do this was annoying and left me feeling like I was getting cheated out of more helpful information. I don't need the author to tell me WHY I am using speedlights I want him to tell me HOW.
Another "problem" was that, like the title says (it finally dawned on me...), the book is only about using Nikon and Canon ETL speedlight/speedlite flashes. I was hoping that this was going to be a tome about off-camera flash using flashes in manual and setting up with shots using wireless triggers and etc. Maybe there would be some exposure tricks and tips that help the photographer get around using a light meter. I was hoping for, well, meat and potatoes..."strobist" stuff I guess. Maybe like how to train my eye and to be able to see the forest for the trees and vice versa when it comes to lighting. Oh well.
Don't get me wrong, I learned some stuff but...

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The Digital Photography Book, Volume 2 Review

The Digital Photography Book, Volume 2
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The digital photography handbook,
This is the most helpful book on digital photography I have seen in a while. Each page of the book has some scenario and a ways to work with is to get the best possible shot. It's also covers many different ways to overcome what ever adverse shooting situation you might be. Kelby Talks about cheap ways to overcome situations. He also talks about more expensive ways to overcome situations. On each subject where he discusses a scenario there are usually multiple photos to show you each effect of each solution will have on the photo. Each subject is covered very well in about two pages. The photography is outstanding and in color.
Kelby covers all types of digital photography from portraiture to landscape, lighting flashes, different types of digital cameras.
Kelby covers using a flash, building a studio from scratch, shooting portraits like a pro, shooting landscapes like a pro, shooting weddings like a pro, shooting travel like a pro, shooting macro like a pro, pro tips for getting photos and more photo recipes to help you get the shot. All of these subject are covered very well.
The book is written in an easy to understand, easy to read and with some humor. Each topic is about one page in length.
I consider myself to me an intermediate photographer and I can say that this is and continue to be very helpful to me. I This is a must for the beginner to intermediate photographer. The book is small enough to carry in your camera equipment bag. This book is packed with information and extremely helpful tips.

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The Nikon Creative Lighting System: Using the SB-600, SB-800, SB-900, and R1C1 Flashes Review

The Nikon Creative Lighting System: Using the SB-600, SB-800, SB-900, and R1C1 Flashes
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Amidst all the hype about megapixels and flicker, a new technology seemed to slip in under the radar. The Nikon Creative Lighting System (CLS) arrived and gave users of the brand an unprecedented way to control large numbers of lights with an ease that would help to make better images (whatever better means). Lots of Nikon flash guns, or speedlights as they are now called, could be spread around a subject and fired again and again, while the photographer looked at resulting images on the camera monitor and adjusted the speedlights without ever leaving the shooting place until the photograper got just the lighting desired. Unfortunately, with this increase in versatility came an increase in complexity. It's this complexity that Mike Hagen is attempting to deal with.
The book includes chapters on the CLS system and flash theory in general; the buttons, modes and operations of each of the speedlights in the system, including the SB600, SB800, SB900, the SU800, the SB200, and the R1C1; the capabilities of the Nikon cameras that are integrated into the CLS system; batteries; and technique, including some examples of the use of the system.
The author aims primarily at the functions of the equipment rather than applications about which there is little discussion. For example, multiple flashes are quite useful in lighting interiors but there is no mention of this in the book. Nikon actually provides a pamphlet with their speedlights that does a better job of showing applications.
Unfortunately, the author often shows a lack of precision in discussing topics. For example, he indicates that the flash will tell you that it was not powerful enough to illuminate a scene by placing a minus sign in the upper right hand corner of the speedlight screen when a scene is underexposed. One might assume that this is some form of pre-metering but actually one must first take a picture, using the flash, to get this indicator. He also doesn't mention that the flash indicator on the flash will blink and that on some Nikon cameras, an indicator will blink in the viewfinder. For another example, Hagen tells you that you can press the zoom button to change the dispersion pattern of the SB800, but doesn't show you an image of the zoom button. That's because there is no separate button for zoom on the SB800; you have to use the multifunction dial for this purpose.
Some important subjects are omitted completely, like the integration of the speedlight with the camera. For example, there is no mention of the difference in shooting in aperture mode, shutter mode or manual mode. Similarly Hagen fails to provide important information that would allow one to figure out how to handle unique situations, like the fact that the flash tube only lights with one brightness and that it varies its illumination effects by the length of time it is on, or that in high speed mode the flash fires more than once, meaning that it will put out less illumination for each burst.
Users are hungry for information about the CLS system, and this book is the best available on CLS. Let's hope a better one comes along.


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Nikon D40/D40x Digital Field Guide Review

Nikon D40/D40x Digital Field Guide
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Last week I bought my first digital SLR - the Nikon D40x 10.2MP Digital SLR Camera with 18-55mm f/3.5-5.6G ED II AF-S DX Zoom-Nikkor Lens. I decided to step into the world of digital SLRs after years of experience with different (and very good) compact or "point and shoot" digital cameras.
My current compact digicam is the Panasonic Lumix DMC-TZ3K 7.2MP Digital Camera with 10x Optical Image Stabilized Zoom (Black) - which I took to Peru, and with which I took some wonderful photos. As good as they were, I wanted to try for even better pictures, and happily bought my Nikon D40x SLR.
But after I opened the boxes and got my pristine new D40x ready to use, I suddenly felt lost and overwhelmed. Yes, there's an "auto" setting, but if that's all I use, I figure I might as well not have spent all the money to get into the digital SLR world. The owner's manual is, I'm sure, complete and accurate, but I found it difficult. It tells me the name of a button and something of how to use it, but I don't have the background to know what most of that means in terms of taking a photo.
Fortunately, I ordered this book from amazon - and it's saved the day. I'm still working my way through it, but I know it's a keeper - and it's going along whenever possible, for reference on the spot when I'm taking photos.
I'm no dummy, nor a total novice at digital photography. But I'm not a professional photog, nor a "camera geek" familiar with a lot of the technical terms and concepts.
The author strikes just the right note for me with the explanations in this book. At last - I'm starting to understand histograms, and feel more assured when changing ISO settings. I'm also learning the uses of all those dials and buttons on my new D40x.
Reading this book has conquered a vague sense of dread I felt about this new gadget ("what was I thinking buying this complicated expensive camera?"). Instead, I'm looking forward to using my D40x and learning more as I go.
I don't know if it exactly replaces the owner's manual supplied by Nikon, but I encourage anyone who's feeling baffled by that manual to get their hands on this book. It's made all the difference to me between puzzlement and comprehension.

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Nikon D40/D40x Digital Field Guide is filled with everything you need to know in order to take amazing photographs using your Nikon D40 or Nikon D40x. This full-color portable guide walks you through the essential controls, features, and functions of your Nikon D40 or D40x digital SLR using step-by-step instructions and full-color images of each menu screen. This robust guide not only shows you how to adjust white balance, autofocus, exposure, and choose lenses, it also teaches you when and why you should adjust each of these key settings. The Nikon D40/D40x Digital Field Guide goes beyond camera settings to offer you a refresher guide to the principles of digital photography, covering the essentials of lighting, composition, and exposure. Filled with amazing examples, this book also presents you with a variety of tips and tricks to capturing portraits, candids, sports, travel, macro photography, and much more.

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Nikon Creative Lighting System Digital Field Guide Review

Nikon Creative Lighting System Digital Field Guide
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One of the most exciting innovations in photography occurred a couple of years ago without any fanfare. That was Nikon's introduction of the Creative Lighting System (CLS). This system allowed for the remote control of multiple speedlights (without any wires), including a balancing of their light outputs, from the camera. Even expensive studio lights don't provide this kind of control. Yet ever since its development, camera users have been confused by exactly how to use these capabilities. In part that was due to the spare nature of Nikon's instruction manual, including a lack of detailed explanation of the application of the system (although, to be fair, the manufacturer did provide a pamphlet with sample photographs that showed the deployment of the speedlights in each case.)
This book attempts to remove the confusion by including simplified explanations of the method of setting up the speedlights as well as a lengthy section on using CLS speedlights for a variety of different subjects. After a general introduction to the CLS system, the author describes the setup of the two main speedlights in the system, the SB-600 and SB-800. This is followed by a section on the basics of flash photography and then a discussion of CLS wireless flash basics. Thomas then talks about setting up a portrait studio with such things as umbrellas and backdrops, with an emphasis on portability. The applications section gives examples of everything from sports photography to product photography, with an explanation of the author's considerations in making sample shots. He finishes up with a simplified explanation of posing.
Thomas includes reference to the D70, D70S and D200 camera bodies in Commander or master mode. He also mentions the D50 and D2 series, which are compatible with CLS, although requiring a separate master unit. He doesn't deal with the newer D80 which has a commander mode or the D40 which is compatible with CLS.
Unfortunately, although he gives us a broad view of wireless multiple flash basics, there are not enough specifics. I would have liked to have seen more pictures using multiple flashes, with a diagram of the flash layouts, and the settings used on the master flash unit to achieve the effect. I would have liked to have seen examples of uses of multiple speedlights for other than portraiture, e.g., interiors (even Nikon's sample pamphlet does that) and maybe even some far out examples like nature photography (although I haven't encountered anyone whose figured that one out). And for a book dedicated to photography, there are few shots of the setup of the LCD screens on the SB-600 and SB-800, and none of the custom menu screens. And yet it was exactly with the setup that I (and many other users) encountered difficulty when first using the CLS system.
Even when he concentrates on portraits, the author assumes we know a lot. I think just the slightest discussion of the roles of main and fill lights would have been appropriate.
If you need something more than the instruction manual provides to use CLS the chapters on the SB-600 and -800, flash photography basics and wireless flash photography will help. But if you really expect to get creative with CLS, I'd recommend spending time with some better lighting book like "Exposure and Lighting For Digital Photographers Only" by Michael Meadhra and Charlotte K. Lowrie, even though they don't mention CLS. But keep in mind that anything you can do with strobes, other than turn out massive amounts of light, can be done more easily with Nikon CLS speedlights. (By the way, I am not an employee of Nikon, Inc. or in any way affiliated.)


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A full-color, go-anywhere guide to Nikon's entire array of creative lighting possibilities

Nikon's Creative Lighting System is like having a low-cost, wireless, studio lighting system that's portable enough to fit into a camera bag. Although the possibilities are endless and exciting, setting up, synchronizing the equipment, and determining lighting ratios can be a bit overwhelming. Luckily, this Digital Field Guide has been completely updated to shed some light on the situation!
Beginning with the basic functions of the Nikon SB-900, the SB-800, and the SB-600, the author then goes on to demystify the complexities of using multiple speedlights, adjusting flash outputs, and setting up a wireless studio.
Clearly explains how to get the best resultswhen using multiple speedlights
Includes examples and unique advice on how to light specific subjects, such as weddings, wildlife, portraits, product shots, and corporate locations
Covers other Creative Lighting System components, such as Nikon's wireless commander and macro speedlights

With this handy, on-the-go guide, you'll no longer be in the dark on Nikon's Creative Lighting System.

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